People with disabilities-Legal status, laws, etc.Pastoral theology-Study and teaching 10 Continuo a volerti ancora I still want you Sento il tuo profumo addosso I smell your scent on me Forse solo un bel ricordo Maybe it’s just a nice memory Un bacio non l’ho mai rimosso A kiss I never removed Un pianto non l’ho mai nascosto I never hid a cry E ti vedo mentre tu poi entri da sola And I see you as.
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Notes: Previous version of this deposit: Metadata: xml Status: Published Last Updated: 4 weeks ago License: Attribution-NonCommercial Share this: This paper uses a Schenkerian approach to demonstrate that such processes, in the form of motivic transformations and musical-verbal associations, are in fact under way from the very beginning though sometimes hidden below the surface. If, however, its recurrence represents the culmination of musical processes at work throughout the opera, then the effect is understandable. Even the irony of dramatic circumstances radically altered from those it accompanied when introduced in act 1 seems insufficient to explain the complex impact of the theme’s return. Author(s): Arthur Maisel (see profile) Date: 2022 Subject(s): Musical analysis, Opera, Shakespeare, William, 1564-1616 Item Type: Article Tag(s): Verdi, Music analysis, Shakespeare Permanent URL: Abstract: It is difficult to credit the usual explanation that the mere fact of the “bacio” theme’s recapitulation in act 4 of Verdi’s Otello accounts for its powerful effect.
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